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Digitizing Media for Metadata Rich Production, Brooks Harris, Ed McDermid Feb 2008 Digitizing and distributing media files for production has always been a tedious process, wrought with limitations and idiosyncrasies. Incompatibility of digital media formats has plagued the industry for years. The dominant media formats for production have been proprietary, often requiring dedicated single vendor solutions. Often returning to baseband has been the only practical solution for interchange. Current industry trends are leading toward services oriented architectures that are intended to enable greater flexibility, scalability, and utilize commodity hardware. These changes increasingly defy the prevailing proprietary solutions approach. For media encoding the goal is to avoid creating a new production chain for each new output format, and instead developing an architecture that can be extended as new requirements arrise. This trend creates additional challenges where existing processes cannot be upgraded or replaced. Technologies that help bridge between existing applications and new architectures are needed. As always, devil is in the details. In recent years the vision of an ‘agile’ encoders and decoders has largely been realized, however significant problems remain. Ultimately the hardest problems to solve have had more to do with metadata rather then image or sound processing. For example, Avid meridian based systems use JFIF media that is nothing unusual and can be encoded by any number of vendors. However creating OMF media files that the Avid system can use effectively is only truly available by digitizing with the Avid, until now. Effective metadata management can also solve the problems that arise when media must pass through a variety of stages or applications. By preserving available metadata throughout the workflow, assets accrue additional value. Preserving source metadata helps users to preserve ownership, clearances and usage rights information and releases. Source metadata also enables re-conforming from primary sources to insure best quality through automated re-digitizing or re-linking. A MIDDLEWARE SOLUTION Rapid Transit supports delivery of media to the most common editorial tools without requiring use of the edit room to digitize the media. Rapid Transit can digitize OMF media for Avid Meridian systems, MXF for new Avid products, as well as QuickTime for Final Cut Pro. It can be configured to concurrently encode in multiple formats so that parallel production can take place on incompatible systems. Rapid Transit can also encode from multiple sources concurrently addressing the needs of high volume ingestion for production. Rapid Transit can run as a stand-alone application or as part of a multi-node, fully-automated service architecture controlled through its control API and SDK. As part of the transcode process, Rapid Transit handles a wide array of critical operations including SD/HD conversion, logo insertion, color space conversion, Film to Tape correction and more. Rapid Transit can be run via its user interface or via an XML-based API that is included with the product. Maintaining metadata integrity is a core focus of Rapid Transfer. Unique is it ability to create media files that are recognized as ‘native’ by Avid systems; delivering metadata that is fully compatible. The metadata API enables integration of Avid products into third party asset management applications and heterogeneous production environments with significantly increased interoperability. ![]()
AVID INTEGRATION The advantages of using Rapid Transit to digitize for delivery to the Avid editing system are many. Rapid Transit makes it cost competitive for services companies to deliver digitized media to the editor instead of tapes. With Rapid Transit multiple sources can be digitized concurrently saving time. The user interface is very simple and the operator does not have to know how to navigate the full Avid user interface translating into potential labor savings. Rapid Transit enables users to remove large digitization tasks from the Avid. Whether it’s an editing bay that is booked by the hour, a rental system or an in-house resource that is used steadily, Rapid Transit lets users move non-editorial task to a lower cost workstation freeing up the editing bay, reducing overall cost.
RAPID TRANSIT DIGITIZER USER INTERFACE
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FOUNDATION HARDWARE The media I/O capabilities are basically the same as you would have on a typical editing system; support common composite analog, s-video analog, component (YCrCb and RGB), or SDI serial digital. The 48K audio sample rate is locked to the video clock. 8 channels of embedded audio are available per SDI video connection as well as 4 channels of analog audio. Rapid Transit also includes both VITC and LTC support and 422 VTR control. INTEGRATION SERVICES
Avid, OMF, Open Media Framework and Media Composer are registered trademarks and MCXpress and MCXEDL are trademarks of Avid Technology, Inc. All other trademarks contained herein are the property of their respective owners.
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